Bits & Bytes
 

Friday,
March 18, 2005

Volume 33,
Issue 11

Fri, Nov 20, 2009

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Thumper’s hosts three hit cabaret shows
Thumper’s hosts three hit cabaret shows, PNB offers three events—Merry Widow, Choreographer’s Showcase, Stowell Tribute
by Milton W. Hamlin - SGN A&E Writer

picture - Miss Saigon

Pacific Northwest Ballet continues its revival of the crowd-pleasing The Merry Widow and adds a special Choreographer’s Showcase to its schedule next Wednesday. PNB is also busy with plans for a special Tribute To Kent Stowell & Francia Russell on June 12. Thumper’s popular Cabaret On The Hill series hosts three (three!) cabaret shows, and a new cabaret troupe plans its first Men Only Dinner And Wet Dreams event. It’s another great week for Seattle entertainment fans—and for Bits&Bytes.



MERRY WIDOW DANCES

The big news at Pacific Northwest Ballet (PNB) is the highly anticipated revival of Ronald Hynd’s version of Franz Lehar’s beloved The Merry Widow. PNB’s spirited revival opened last night (too late for this week’s deadline) but the lavish production is sure to be a crowd pleaser.

The full-length ballet continues through March 27 with Thursday-Saturday evening and Saturday and Sunday matinee performances. Ticket information at (206) 441-2424. Watch for a full review here in next week’s SGN.



DANCE SHOWCASE

PNB revives its popular Choreographer’s Showcase format next Wednesday, March 23, for a one-night-only performance of five new works. Four PNB dancers—Christophe Maraval, Olivier Wevers, Jonathan Porretta and Kiyon Gaines—offer new works. Sonia Dawkins, a faculty member from PNB’s prestigious dance school, provides the fifth work for the evening.

There is always a true sense of excitement in Showcase events, and this year’s evening of new works should continue that tradition. It’s a “must” for Bits&Bytes and many Seattle dance fans. The 7:30 p.m. performance is at McCaw Hall. Ticket information at (206) 441-2424.



STOWELL TRIBUTE

PNB, busy with next week’s Choreographer’s Showcase and the on-going production of The Merry Widow, is also planning a June 12 Tribute To Kent Stowell & Francia Russell. The popular husband-and-wife team have been artistic directors of PNB since 1977. In their 28 years here, they are credited with developing the company (his focus) and the school (her domain) from a fledgling regional troupe into a company of national (and maybe) international acclaim.

The two are retiring at the end of this year’s season, and the June 12 tribute should be an emotionally charged event.

Tickets start at a very reasonable $30—including a champagne reception—and are now available at (206) 441-2424. It should be a night to remember.



…POUR THE LAWN

Thumper’s Cabaret On The Hill series invites musical fans to Mow The Bubbly And Pour The Lawn, a cleverly titled, self-proclaimed “Swell Cabaret” that continues the Showcase Cabaret series of students from the vocal and cabaret classes of Ann Evans, a stage and cabaret veteran with strong Seattle performances in her background.

With the ever-dependable Mark Rabe at the piano, Mow The Bubbly and Pour The Lawn continues Sunday evenings through March 27 (yes, that is Easter Sunday night—a great chance to unwind at Thumper’s after a hectic family focus day for many). While the student showcase, by its very nature, is designed primarily as an evening for family and friends, the current edition has much to offer Seattle musical and cabaret fans.

Courtney Proff started the evening with two touching numbers, “Out Of The Blue” and “Unexpected Song” from Andrew Lloyd Weber’s Song & Dance. Amy Berryman was excellent in her two numbers, the poignant “Princess” from the Gay-themed A Man Of No Importance and Maltby & Shire’s “Today Is The First Day.” Bits&Bytes loved Man Of No Importance in New York several season’s back and Berryman was equal to the performance at Lincoln Center—truly, Berryman is a talent to watch. When she sang of her small Irish hometown, “They have their footballs and their Bibles and don’t believe in art,” it was a magically memorable moment.

Sarah Davis and Sarah Decker scored with their individual numbers. Davis was hushed and mesmerizing in “Still Hurting” (“covered with scars that I didn’t earn”) and raucous in the perky “Popular” from Broadway’s Wicked. Decker scored with “It’s An Art” and James Taylor’s low-key “Millwork.” Doug Knoop seemed to delight the capacity crowd with his gender-bending “I’m Not The Kind Of Girl.” Joanna Johnson had great fun with “Breakin’ In A Pair Of Shoes.”

Two numbers from a recent production of Quilters ended the show—both were vocal highlights of the evening.

The high points of the evening were truly high. Alas, the weak points were exceptionally weak—major lyric stumbles indicated that several performers were not quite ready for prime time (or even a family-and-friends event).

Reservations—a good idea—are available at (206) 328-3800.



DINA MARTINA RETURNS

Dina Martina and Sunday Brunch scored a personal triumph last year at Thumper’s, and the self-proclaimed talentless drag queen returns with a series of Sunday brunch outings through May 22 with two shows each Sunday. Martina is an acquired taste in comedy (which, alas, Bits&Bytes has not acquired) but she is a beloved Seattle institution. All four shows in her first two weeks were sold out shortly after her encore visit was announced.

Reservations are a “must” for Dina Martina. Details at (206) 328-3800.



PIGS STILL FLYING

Howard Crabtrees’s When Pigs Fly, a smart, sassy Gay-themed revue that was a huge hit in New York nearly a decade ago, continues its smash run at Thumper’s with performances through April 9. The funny, funny show runs Friday and Saturday nights at Thumper’s.

As the revue starts its last four weekends, Thumper’s reminds patrons that the show often sells out days in advance (and, now and then, inexplicably, draws half a house some nights). Reservations are a “must” but procrastinators are advised to check for last-minute availability. Call (206) 328-3800. (Chuck Tracy, one of the cast members, is also a popular Thumper’s bartender and waiter—he may even take your reservation.) Bits&Bytes loved the show in New York and loved the show here at Thumper’s. It’s a “don’t miss” evening for GLBT audiences.



NY OPENING KNIGHT

You gotta love the people involved in the New York production of Monty Python’s Spamalot which officially opened last night in The City That Never Sleeps. The credits note that Spamalot is “A new musical lovingly ripped off from Monty Python And The Holy Grail.”

The show, which is expected to be the smash hit of the season, has drawn raves throughout its preview performance period. Directed by Broadway and Hollywood legend Mike Nichols, the show headlines David Hyde Pierce, Hank Azaria and Tim Curry, who will be forever remembered—and revered as a Gay icon—as Frank-N-Furter (“the sweet transvestite from Transsexual, Transylvania”) in The Rocky Horror Picture Show.

The big ad in the New York Times bannered “Opening Knight This Thursday” with the added stipulation, “No Black Ties or Strait Jackets.” If the show is only half as funny as the ad campaign, Spamalot is sure to be a big, big hit. Reviews should be out today. Bits&Bytes bets it will be a smash.



GLOVER’S IMPROVOGRAPHY

Savion Glover brings his cleverly titled dance program, Improvography II, to Seattle on March 31 performance at the Moore Theatre. The mix of dance improvisation and prepared choreography should be a highlight of the spring for dance fans.

Glover, the Tony Award-winning choreography (and creator) of Bring In ‘Da Noise, Bring in ‘Da Funk, has been a frequent Seattle visitor in recent years. He will appear with three other dancers in the March 31 program.

Glover initiates the first annual Artist In Residence program for the Seattle Theatre Group, which provides programming for the Paramount and Moore Theatres. He will work with local students, teaching, rehearsing and performing with the young dancers during his residency. Lecture/demonstrations are also planned. Glover will return to Seattle July 8-9 2005 Dance This performances at the Paramount.



FOUR JAZZ STARS

The Seattle Theatre Group hosted the touring Concord Jazz Festival last week, a great music night at the beautifully restored Paramount Theatre that featured four major women in jazz, three with strong Seattle connections in their early lives.

Karrin Allyson, a frequent Seattle visitor with memorable gigs at Jazz Alley, hosted the evening and appeared in solo, duets and group arrangements. Her bubbly personality, which has made her one of the top women in the jazz world, delighted the crowd. She opened the show with Joni Mitchell’s “Help Me (I Think I’m Fallin’)” and charmed the crowd within minutes.

Sara Gazarek, a recent Roosevelt grad who just finished college in California, had a huge turn out from friends and family to help launch her Seattle visit. She will record her first CD for Concord this spring for a mid-year release. Her first appearance seemed tentative—and a far-too-stylishly-bizarre outfit seemed to confuse the audience. Her quick return in a casual wardrobe found her much more musically secure. Her highlights included “Too Young To Go Steady,” which she quipped would please her family because “they believe in the message.”

Oleta Adams grew up in Seattle’s Central District where her father “had his own church.” She moved from Seattle to Yakima at age six and, after high school, set out for Los Angeles where “nothing happened.” Moving to Kansas City, Kansas, she became a local headliner and was “discovered” by the British band Tears For Fears which invited her to perform with them. The rest, as they say, is history. Her career was launched in 1990 with “Get Here,” a pop hit which allowed her to evolve musically and work in various musical forms, including her current focus with jazz.

Diane Schuur, a Seattle-area resident for many years, was born in Tacoma and grew up in Auburn. The two-time Grammy Award-winning singer was clearly the major audience attraction and seemed delighted with her warm greeting. Blind since birth, Schuur, now in her early 50’s, was wearing new hearing devices for the first time on stage. They were a major distraction for the singer (and for many in the audience) but she finally solved the problem—in the rush to get on stage for her part of the program, the color-coded hearing aids had been reversed. When her ever-present husband came on stage to help her, she cracked up the audience as she scolded him, “You know I’m color blind.”

When group gathered for the final song of the evening, appropriately it was a jazzy “That’s All.” A great evening of great music—with a strong “Team Seattle” feeling.



GAYS GO WATERFORD

Seattle’s GLBT community celebrates several events this weekend—Seattle’s Leather Pride Weekend, a special Women’s Conference, plans for upcoming private Men Only Dinner And Wet Dreams dinner and male burlesque show (Editor’s Note: Bits&Bytes is not making this up—details at (206) 227-9548).

But the true gathering for Gay men in Seattle will this weekend’s “Special 3-Day Waterford Crystal Warehouse Sale Event” at the Washington State Convention & Trade Center for “The First Time Ever.” The event, which features Waterford, Marquis and Wedgwood products at “Drastically Reduced Prices,” opens each day at 10:00 a.m.

Wow—discounted Waterford and Wedgwood in downtown Seattle. Bits&Bytes expects to see all his friends (and a few Crystal Queen Enemies) in line each day.
Pacific Northwest Ballet company men in The Merry Widow
Avion Glover
Daine Schuur


INTERNATIONAL NEWS
Rex Wockner