the Music Lounge
 

Friday,
March 25, 2005

Volume 33,
Issue 12

Sun, Mar 21, 2010

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the Music Lounge by Albert Rodriguez - SGN A & E Writer
Alternative pop-rocker Brendan Benson talks with the Seattle Gay News about his new CD, welcoming a Gay fan base and watching fish being thrown at Pike Place Market

The first CD to make a huge impression on me this year is Brendan Benson’s gorgeously-crafted The Alternative to Love. It’s filled with beautifully-arranged, thoughtfully written pop songs that does for relationships and love what frosting does for cake. If you’re a fan of cool alternative pop-rock music, another day shouldn’t go by without you owning this disc. Benson, a Detroit hipster who’s collaborated with White Striper Jack White on a side project, took time out of his busy schedule to talk shop with the Seattle Gay News. He opens for Keane at Seattle’s Paramount Theatre on May 9. Here’s what the singer-songwriter-musician had to say when he stepped into “The Music Lounge.”

Albert Rodriguez: Hey Brendan, where are you right now?

Brendan Benson: I’m in my kitchen in Detroit, Michigan.

Rodriguez: The last time I remember you playing Seattle was with Ben Kweller. It was two years ago on Valentine’s Day and I got into a car accident on my way to the show.

Benson: Oh my god. Wow!

Rodriguez: It was weird. I was bummed that I never made it to your concert.

Benson: Sorry about that.

Rodriguez: Well, that was then. Anyway, I have to say that your new CD The Alternative to Love is excellent. The songs are so well-crafted. Lapalco, your previous album, was great. But this CD shows a lot of maturity and significant strength as a songwriter. Do you feel that?

Benson: No. (laughs)

Rodriguez: Really?

Benson: More mature? No. I suppose it happens inevitably. I mean, I hope it happens. But it’s not something I’m conscious of musically.

Rodriguez: When you write songs, they’re not necessarily directed at someone in particular, right? They can be about anybody.

Benson: Right...yeah...um, I don’t really know. I think I have an imaginary audience in mind, but I’m not sure who makes up that audience.

Rodriguez: Many of your songs aren’t gender specific. This is great for Gay music listeners because they can insert themselves into them. If a song is written in a he/she format, it’s already interpreted itself for you.

Benson: Right. These are songs about relationships and love. They’re not always about a man and a woman. I think I’m expressing feelings I had about my grandfather, my mother or father, and friends. But because that boy-meets-girl thing is deeply embedded in me, it manifests itself in that way a lot of times.

Rodriguez: Does your music dictate what’s going on in your personal life at the moment, or is it just your imagination?

Benson: I think this album is a lot more focused on a particular topic. I wrote and recorded it in about six months, as opposed to the other records that span years. The Alternative to Love is time specific and it consequently reflects the time and how I felt then, which I’m not even sure what that is (slight laughter).

Rodriguez: The arrangements on these songs are very retro-sounding. Was that your idea or Tchad Blake’s (album engineer/mixer)?

Benson: That’s just what I like.

Rodriguez: But I don’t remember these sounds being on Lapalco. This is a different sounding record. The arrangements are more apparent.

Benson: Well, thank you. I don’t consider myself to be a good arranger. It’s my weakness because I sometimes don’t know when to stop. I’ll try anything and everything. I don’t know what to leave in or leave out.

Rodriguez: You’ll be in Seattle with Keane in May. How did that happen?

Benson: I’m not sure, really. We played with them in the UK. We had a good time and I think they just asked us if we wanted to do some US dates.

Rodriguez: What do you like about playing in Seattle?

Benson: Actually, we do pretty well in Seattle. I’ve always had a great time there.

Rodriguez: Do you get to check out any of the cities when you’re on tour?

Benson: Hardly. In Seattle, I’ve been down to the Pier where the guys throw the fish.

Rodriguez: Pike Place Market. Yeah, it’s cheesy but kind of fun to watch.

Benson: You know, I never saw any guys throwing fish. They did a lot of screaming though. (laughs) It was cheap entertainment.

Rodriguez: How do you feel about having a Gay fan base?

Benson: God, I don’t know. I think that’s cool. (laughs, the question catches him off guard). I wouldn’t think that Gay people would like my music. I’ve never really thought about it. I was sort of surprised when I found out a Gay magazine was interested in interviewing me. It’s cool though.

Rodriguez: Seattle is a very liberal city. And it’s always been a rock town. The Gay community reflects these two statements. We’re accepted everywhere here and we like our rock music as much as the straights do.

Benson: Do you think that’s true in other cities as well? That Gay people are gravitating to this type music?

Rodriguez: Probably in New York, Chicago, Austin and maybe Minneapolis you’ll find Gay music listeners being more progressive in their music choices. But I think Seattle is a city that’s known for supporting new talent, and the Gay community is inclusive in that support network.

Benson: I lived in Oakland, California for about eight years and I went into San Francisco a lot. The Gay community there was very traditional. That was the biggest exposure I had to Gay people. I would never think those folks would like what I was doing, or The White Stripes. Just because they seem set in their ways. I guess because they seemed to be motivated more by fashion or a fad.

Rodriguez: Gay boys like a nice package. They like an artist that sounds great and looks hot, and not necessarily in that order. You’re a sharp-looking guy and your music is great, so why wouldn’t we like you?

Benson: (laughs slightly) Yeah, okay. Cool.

Rodriguez: I’m hoping the Gay alternative rockers check out your CD because I think they’d really like it.

Benson: Great! Maybe I’ll become huge with the Gay crowd.

Rodriguez: It worked for Tori Amos.

Benson: Is Rufus Wainwright...

Rodriguez: (I finish his sentence) ...he’s REALLY Gay.

Benson: He’s one of my favorites.

Rodriguez: Maybe you can play with him.

Benson: I’d love to.

Rodriguez: So, you’re on the road with Keane. And then what’s in store for the remainder of 2005?

Benson: The year is daunting. It’s filled up with tour dates.

Rodriguez: What’s been spinning in your iPOD or personal CD lately?

Benson: I’ve been listening to a lot of Donovan. And Graham Nash. His record Songs for Beginners is one of my favorites right now. And there’s this guy called Jape. I think it’s a guy, but I’m not really sure what’s going on. It’s really, really cool. It’s dance-electronica mixed with Irish music. It’s like Cornershop, but Irish.

Rodriguez: I’ll write that down and check him out.

Benson: The track I heard was called “Floating.” I heard it at a club and was like “what is this?!”

Rodriguez: Cool. Well, we wish you the very best with your CD. I think it’s an amazing record. Lapalco was terrific, but this one is a notch above. And we look forward to seeing you here in Seattle very soon.

Benson: Thanks a lot! I’ll see you when I’m in Seattle. Take care.
The Music Lounge EXTRA
SELENA TRIBUTE PLANNED AT GALERIA’S ON APRIL 9

She was a huge star in the Latin music world, destined to become the next big thing on the international scene. And without warning, she was gone. Gone.

It was 10 years ago that Grammy Award-winning singer Selena died, a senseless death at the hands of a woman who headed her own fan club. Thank goodness justice prevailed and put the shameless pig in jail. Selena was on the verge of becoming famous worldwide, having already conquered Latin America by storm. The Mexican beauty’s life and tragic ending inspired the feature film Selena, which starred a then low-profile Jennifer Lopez in the title role.

The Seattle Gay News joins the Latino Gay community in honoring the ten year anniversary of Selena’s passing. To Hispanic Gay youth, Selena was more than a pop diva or music idol. She was their heroine, someone they looked up to and held in high regard.

On Saturday, April 9 the SGN welcomes any and all Selena fans to Galeria’s (611 Broadway Ave. East) for a night of music, fun and remembrance in paying tribute to the late artist. The event will include songs by Selena that everyone can sing and dance to, a Selena look-alike contest with cash prizes ($200 first, $100 second) and of course, as is the case with large Latino gatherings, there will be wonderful food and a few margaritas to enjoy. La Gorda, the naughty and very entertaining drag queen who hosts Gay Night at Neighbours, will preside as hostess for the party. Cover is $5, which includes a free drink before midnight, appetizers and hot Latin boys and girls wall to wall.
NINE INCH NAILS LISTENING PARTY SCHEDULED FOR MARCH 29th AT EMP

Nine Inch Nails has to be one of the most electrifying acts to emerge in rock music within the last fifteen to twenty years. And it’s frontman, Trent Reznor, is without a doubt one of the sexiest men alive. The metal-electronic act is releasing their first album of new material since 1999’s The Fragile. It’s called With Teeth and it hits record stores on May 3. The first single from the CD, “The Hand That Feeds,” is already getting plenty of airplay on Seattle radio station 107.7 The End.

Loyal fans of the industrial-rock ensemble who can’t wait until the release of With Teeth can make plans to attend a special Nine Inch Nails listening party on Tuesday, March 29 (7:30 p.m.) at the Experience Music Project. Admission is free, and if you pre-order the CD through Sonic Boom Records that night you’ll receive a free 7-inch NIN single. Plus, a special gift is offered to those who arrive early. Not only can you listen to With Teeth in its entirety, but there will also be a DVD screening of the band and an art exhibit from area NIN fans.
SNOW PATROL ASKS BASSIST MARK MCCLELLAND TO LEAVE GROUP

Talk about surprises. No one saw bassist Mark McClelland’s dismissal from rock band Snow Patrol coming last week. Not even him. McClelland, who started the group with lead singer Gary Lightbody in college, was asked to leave Snow Patrol on the spot during a band meeting on March 16. According to reports on the internet and SP’s official website www.snowpatrol.net, McClelland was adding unwanted pressure on the group and prevented them from moving forward. The news was disappointing to SP’s fan club. But the show must go on. And the remaining members are currently in Ireland planning a follow-up to last year’s stunning Final Straw (SGN’s Top Ten Albums/CDs of 2004) and rehearsing for an upcoming tour that brings them to Seattle on May 4.

Lightbody, the geeky-cute frontman and subject of my naughtiest fantasies at the moment, was supposedly the one who gave McClelland the boot. On a happier note, a few tickets remain for the band’s performance at the Moore Theatre, priced at $16.50 and $18.50. No word yet on who will replace McClelland on Snow Patrol’s tour, but if I hear any news I’ll be sure to pass it on. I’ll be previewing and reviewing their concert in May. If you want a preview of what they’ll sound like in concert, grab a copy of the DVD entitled Snow Patrol: Live at Somerset House. The show is great and the bonus features are fun to watch, especially when you see band members tour through Japan and run through a water fountain. Yes, Lightbody goes shirtless in one scene. And I’ve already seen it again and again and again and again and again. And again.
VINYL COPIES OF THE KILLERS’ HOT FUSS TO BE GIVEN AWAY SOON

If you love vinyl records and love The Killers, then you’ll want to check out “The Music Lounge” in the coming weeks because I’ll be announcing details on how to win a copy of the Grammy-nominated band’s Hot Fuss in LP form. I also have a couple of cool “Hot Fuss” lighters that need a good home. So, make sure you grab a copy of the Seattle Gay News each Friday to find out how you can win some great stuff, like music and goodies from The Killers. Speaking of The Killers, their April 24 concert in Seattle is completely sold out. If you’ve got tickets, consider yourself extremely fortunate. If you don’t have tickets, you can join me for “loser” drinks at a nearby bar that night.
Next week in 'The Music Lounge'
Butch Vig and Steve Marker of Garbage

Butch Vig and Steve Marker of the punk-electronica outfit Garbage called in separately to the Seattle Gay News this week to talk about the band’s new CD Bleed Like Me and their upcoming tour, which brings them to Seattle’s Paramount Theatre on Friday, April 8. I tried to get lead singer Shirley Manson on the phone, but she was massively booked up. But I do promise an interesting and informative interview with Vig and Marker. It was fascinating hearing two sides of group’s brief breakup. And it was great to hear the appreciation both men have for their gay fan base. Of course, Vig credits Manson’s “cheekiness” and “flamboyant, show-off” personality as big factors in attracting a legion of Gay admirers. What I liked about Vig and Marker was their honesty and openness to discuss the disappointment of the group’s commercially unsuccessful release Beautiful Garbage. I don’t expect Garbage’s soon-to-be-released Bleed Like Me to do the same. It’s an intense, loud and exciting CD from start to finish. They’ll unveil material from the album at their Seattle concert, which serves as the official kick-off of their U.S. spring tour. Very few tickets remain, so hurry and buy yours at any Ticketmaster location. And grab a copy of the Seattle Gay News next week to find out what Butch Vig, who also produced Nirvana’s milestone Nevermind, and Steve Marker had to say when they stepped into “The Music Lounge.”

GENERAL GAYETY
Leslie Robinson

LESBIAN NOTIONS
Paula Martinac