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to Section One | to Arts & Entertainment
posted Friday, August 31 2012 - Volume 40 Issue 35
'It needed that Gay man's touch'
Arts & Entertainment
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'It needed that Gay man's touch'

Interview with For a Good Time, Call& director Jamie Travis and scriptwriter Katie Ann Naylon

by Sara Michelle Fetters - SGN A&E Writer

For a Good Time, Call& is a comedy about two young women living in New York who inadvertently find themselves the owners of a successful phone sex line. Starring Lauren Miller, who also co-wrote the script, and Ari Graynor, the movie caused a minor stir when it premiered at the Sundance Film Festival this past January, immediately drawing comparisons to last summer's hit Bridesmaids - even if, thematically, the two pictures couldn't be more dissimilar.

I recently had the pleasure of sitting down with director Jamie Travis and Miller's co-writer, Katie Ann Naylon, to talk about the film during their brief visit to Seattle. Here are some of the highlights from that conversation.

Fetters: What led you to Jamie? How did you and Lauren know he was the right one to handle your first script?

Naylon: How to put this delicately & we were in Canada and we knew we'd need a Canadian director. I happened to come across this New York Times profile of Jamie talking about his short films and we were immediately intrigued. After watching those films, we realized how right he was for the job. He's exceptionally talented. Definitely a filmmaker on the rise.

Fetters: For you, Jamie? What was it like when they approached you with the script?

Travis: [I was] elated. I was looking for a feature project [and] was certain it would be something I would write and then direct myself. But then this [script] came along, and it was just so good. Couldn't put it down. I loved what Katie and Lauren had come up with, felt like it could go in so many different directions. I immediately didn't want it to fall in the wrong hands. It was like I was personally connected to it.

Fetters: What do you mean by that?

Travis: It felt like it was so easy for this film to go in the wrong direction. The wrong director could objectify these women, make them caricatures. What needed to be done was to focus on the friendships, to use the structure of a love story to make this relationship between these two women feel real. It needed that 'Gay man's touch,' if you will, and I just knew my insight into female friendships wouldn't make the overt sexuality of the story subvert the emotional truths [the heroines] were experiencing.

Naylon: We were immediately sold. He was the only guy that seemed to get it. We weren't worried at all that he wouldn't be able to pull it off. He understood exactly what it was we were going for, that the whole phone-sex thing was just our way of getting into the crux of Katie and Lauren's growing friendship.

Fetters: So it's not your typical romantic comedy, then?

Travis: Not at all. The movie wasn't about getting the guy, it was about how these two women learn to accept, then like, then ultimately love one another in ways women will hopefully relate with. The heart of the story is that friendship, not whether or not Katie gets together with her crush or that Lauren and her ex get back together. This struck me as something intimate, something true. I wanted to make sure and do that story the justice it so richly deserved.

Naylon: The 'bromance' has suddenly become its own genre, and Lauren and I felt like there weren't many similar comedies out there revolving around women and their relationships. The goal wasn't to be sexual even though we were talking about sex. The goal was to remain true to these two women and their friendship. We wanted to showcase the love between them in a way that would show all the highs, lows, and in-betweens. Women can be so judgmental - we can be incredibly insecure. The idea was that we wanted to judge our characters appropriately, not through rose-colored glasses, and hopefully in the process make their love for one another feel genuine and real in the process.

Fetters: Were you ever conscious or worried about playing to close to stereotypes, especially as it relates to Justin Long's 'Gay best friend' character?

Naylon: Not at all. As written, he's the one that gets what's going on. He calls Katie and Lauren on their [crap]. Justin intuitively understood what was going on and what was required of him. I never thought he overplayed his hand. He's obviously Gay, but he isn't in your face about it or anything. He gets that your friend is your friend no matter what, and I liked that he was so willing to pull down so many walls in order to access the character.

Travis: Yeah, Justin got it right from the start. He understood that we didn't want another Gay best friend stereotype. Early on, he was calling me, working on the voice, trying to figure out the best way to become the character. He started asking if he could record my voice, then he started following me around the set. It suddenly hit me he was using me as the template for the character, sort of a heightened version of who I am. It was both startling and flattering. He's such an intuitive actor and I think his performance really comes from the heart. He definitely finds the right balance between being too flamboyant and being the kind of friend both Katie and Lauren are in need of.

Fetters: There is a bit of an old Hollywood feel to the film, almost a Doris Day Pillow Talk sort of vibe that belies the sexually explicit nature of some of the situations and dialogue.

Travis: Thank you for that. We were shooting it in a very 1950s, 1960s sort of way, trying to make sure that the simplicity of the story was never lost and remained front and center. It is in many ways a genre throwback, definitely a Doris Day sort of thing in its way. We wanted to achieve that sort of vibe. It just felt like the proper process in order to make sure the movie worked.

Fetters: Post-Sundance, what do you hope happens now for the film? What do you want audiences talking about as they leave the theater?

Naylon: I like that the movie isn't what people expect it to be. I like that it seems to creep up on people, that they find themselves connecting to it on an emotional level they hadn't anticipated. The movie is funny. It is romantic. But it is also a story of female relationships, the likes of which sadly don't get represented enough on the [big screen] in my opinion. I think it will resonate with a lot of people. At least I hope it does.

Travis: It's a beautiful, consciously female story, and I'm sure that will come as some sort of surprise for some people. But I want them to leave the theater filled with joy. I think we represent Kate and Lauren's journey for exactly what it is, their love something all viewers - male, female, Gay, straight - will hopefully be able to relate to, appreciate, and embrace.

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