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to Section One | to Arts & Entertainment
posted Friday, April 19, 2013 - Volume 41 Issue 16
Playing catch-up with the Oscars - 2012's most celebrated films are now out on Blu-ray
Arts & Entertainment
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Playing catch-up with the Oscars - 2012's most celebrated films are now out on Blu-ray

by Chris Azzopardi - SGN Contributing Writer

So how many of the big winners at the 2013 Academy Awards have you actually seen? It's time to sit down and get up to speed, now that many of them are available on home video. Here are several to get you started.

LES MISÉRABLES
Wins: Actress in a Supporting Role (Anne Hathaway), Sound Mixing, Makeup and Hairstyling
Boasting of its eight Academy Award nominations, three Golden Globe wins and 'perfect' picture and sound, the Les Misérables Blu-ray - all right, you got me with that velvet-soft slipcase, Universal - is as showy as director Tom Hooper's stuffy, up-the-nose shots of his live 'singers.' And if you want to hang out in Hugh Jackman's nostril cavities, then be my guest. Other reasons for seeing Hooper's version of the Broadway hit: You like overwrought musicals where people sing about suffering, and then sing about suffering some more. For almost three hours. You are curious to hear just how bad Russell Crowe sounds. You want to see Anne Hathaway own that Oscar win as a prostitute in need of a shower, who sings better than Susan Boyle. That performance, and also Jackman as Jean Valjean, elevates one of the greatest misses of last year, but only so much. And not enough. If you want to see Anne (pretend to) get emotional discussing her character - and ogle a shirtless Hugh at the gym - the extras are for you, too.

SKYFALL
Wins: Original Song, Sound Editing
For a half century, the James Bond franchise - 23 films, including this one - has built a wildly heteronormative world based on chases and girls and beating the bad guys. So, of course madness and mayhem and machismo endure in Skyfall, but this exhilarating joyride doesn't stop there: A bad call in the beginning puts Bond's life in danger, things get complicated between 007 and M (Judi Dench, chewing up every scene) and a deranged arch-nemesis (maniacal marvel Javier Bardem) puts the moves on his foe. Bond himself, played by Daniel Craig at his best, even suggests he's maybe a little Gay (uh-oh). With a team of shrewd writers, and director Sam Mendes' stylistic influence (he won an Oscar for American Beauty), Bond is more grounded - more human - than ever: He's aging and he knows his days are numbered. Mortality and loss are at the film's rich, gritty center, but Skyfall - a major comeback after Quantum of Solace - soars with life. The hour-long doc 'Shooting Bond' looks at the dashing stunts and psychedelic title sequence, which accompanies one of the best Bond themes ever, by you know who: Adele.

WRECK-IT RALPH/PAPERMAN
Wins: Short Film (Animated)
People adored Sarah Silverman as the squawking tyke. They loved her rainbow-colored world. All the 'joyful' nostalgia and turd jokes? They loved those, too. Not me. Wreck-It Ralph, with Jane Lynch essentially doing an animated Sue Sylvester, is a genius concept that goes 'Game Over' after a promising start - where the bad boys of arcade, including ransacker Ralph, sit in group therapy and discuss their aggressiveness - left-right-lefts into an obnoxiously grating ADHD nuisance. I kept wanting Ralph to wreck this and restart. That's not to say Ralph doesn't make clever gaming-culture cracks, but not nearly enough to justify spending almost all its time in the acid-trippy 'Sugar Rush' game, run by the stereotypical 'Nelly wafer' King Candy. If you wanna spend an hour in Candyland, call your Gayest friend and get the board game out. Extras aren't so great either, though it does include Disney's enchanting Oscar-winning short Paperman, which is better than the feature film.

ZERO DARK THIRTY
Wins: Sound Editing
During a short featurette, director Kathryn Bigelow says she wouldn't do her Osama bin Laden docudrama - an unnerving and exceptional retelling of the arduous manhunt - without Jessica Chastain. And good for her. Chastain is an actress of immense versatility with an already impressive resume, and her Maya (which nabbed the star a Best Actress Golden Globe) is portrayed with feminist fierceness, strident determination, confidence, and ultra-badassery. She knows it, too. 'I'm the motherfucker who found this place,' she tells an inquiring CIA agent. They believe her, at least enough to crash into and shoot up Bin's compound, because she believes in herself. The tense, gripping search, with its false leads, suicide bombings, torture interrogations, and eventual raid (spectacularly and realistically shot, by the way), becomes just as much about the man behind the 9/11 attacks as it does the woman - that's right: the woman - who nailed him. With all the supplemental possibilities, it's a shame only four featurettes - the best being the one on Chastain - round out the set. LINCOLN
Wins: Actor in a Leading Role (Daniel Day-Lewis), Production Design
Set during the Civil War just as Honest Abe enters his second presidential term, Steven Spielberg's inspiring biopic spotlights the landmark amendment to abolish slavery and the knuckle-clenching courtroom drama that ensued. As the Supreme Court hears arguments for Gay marriage, Lincoln is both timely and hopeful (we know what happened then: equality prevailed). The first half of out scribe Tony Kushner's meticulously focused script is dense and dry in textbook history - it's all conversation (too much conversation) after that deceptive opening war scene - before delegates group for the big climactic vote. Day-Lewis makes a riveting Abe that, like Lincoln himself, will go down in history. Not only is the resemblance uncanny, he emancipates every scene with gravitas. Sally Field also does career-best work as wife Mary Todd. She gets to cry. Enough said. Special features are scant, but they decently skim all aspects of Lincoln, from the artistic production design to casting. LIFE OF PI
Wins: Directing, Cinematography, Visual Effects, Original Score
It's perfectly normal to have Ang Lee envy. Aside from winning the coveted statue at this year's Oscars for his soul-awakening masterpiece, the filmmaker (who's luckier than you) also directed Heath Ledger and Jake Gyllenhaal's spit-and-stick tent scene in Brokeback Mountain. Then Ang went ahead and made Life of Pi (the nerve!), an aesthetic dazzler that's also a spiritually rich thinker, based on the bestselling book, about a boy who survives a shipwreck and fights for survival in the middle of the ocean on a raft with a gaggle of animals. Lee immerses you in an extraordinarily breathtaking CGI-enhanced out-at-sea adventure, with all the majestic wonder of a dream. At dawn, it's rich and lucid; nighttime is celestial and shimmery. No film in 2012 looked better than Life of Pi (both 2D and 3D formats are available on Blu-ray). So, even if the allegory doesn't click, you won't be at all bored trying to figure it out. Extras include an hour-long doc covering the story's novel-to-screen evolution and an entire feature dedicated to Richard Parker, the tiger. ARGO
Wins: Picture, Adapted Screenplay, Film Editing
Nobody's feeling sorry for Ben Affleck anymore - probably not even Affleck himself. Though wrongfully snubbed of even a nomination for Best Director, Affleck's historical account took home the Big One - as it should have - for his life-or-death dramatization of 1979's Iranian hostage crisis, when six U.S. Embassy escapees hide in the home of Canadian ambassador Ken Taylor (out actor Victor Garber). You might already know how it all shakes out when CIA staffer Tony Mendez leads the rescue mission, but Affleck's effective no-nonsense direction moves every scene along with nail-biting intensity - and, in the peripheral film-within-a-film, welcome comic relief - that no history book could possibly replicate. Besides an Affleck commentary, 'Picture in Picture: Eyewitness Account' headlines an impressive bunch of historically informative extras on the actual crisis. Chris Azzopardi is the editor of Q Syndicate, the international LGBT wire service. Reach him via his website, www.chris-azzopardi.com.

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