Robyn first appeared in the late ’90s as a Swedish teen-pop export. She delivered slick R&B hits such as “Do You Know (What It Takes)” and “Show Me Love.” They were undeniable pop songs — polished and perfectly suited for the times. 

But the industry machine that created that version of Robyn also tried to contain her. Instead of conforming, she walked away. In 2004, she founded her own label, Konichiwa Records — a move that wasn’t just about business but a declaration of artistic freedom.

With complete creative control, the Robyn we know today emerged. Her 2005 self-titled album was a reset, buzzing with a new electronic edge. It gave us the witty swagger of “Konichiwa Bitches” and the devastating synth-pop of “Be Mine!” She was no longer just a pop star; she was an architect of a sound that was vulnerable, sharp, and defiantly her own.

Then came 2010’s Body Talk, a game-changing project released as three mini-albums across a single year. It was a treasure chest of pop perfection. “Dancing on My Own” became a generational anthem for anyone who’s ever found strength in solitude, turning heartbreak into a powerful act of defiance. The trilogy also gave us the stunning empathy of “Call Your Girlfriend” and the soaring power of “Indestructible.” Robyn had cemented her legacy as a pop visionary, proving that dance music could be innovative, complex, and deeply human.
 
After Body Talk, she took her time. Her next album, Honey, didn’t arrive until 2018. It wasn’t the explosive banger many expected. Instead, it was a warm, immersive, and softer record. Born from a period of personal loss and reflection, tracks like “Honey” and the melancholic “Missing U” felt like the after-hours glow of the club: intimate, communal, and healing. 

A new chapter is about to begin. On November 12, Robyn will release “Dopamine,” her first new single in seven years (video at https://youtu.be/vitil9qMN6A). The title alone exudes excitement, hinting at the euphoric energy and pure joy that have always defined her music.