Pippin
9/11/26–10/3/26 (at 12th Avenue Arts)
Reboot Theatre, www.reboottheatre.org

This staging reframes Pippin as a 1930s traveling tent revival. The Leading Player is a charismatic preacher; the Players are revivalists. The restless son of Charlemagne searches for a life of purpose — testing war, religion, politics, and romance before discovering that meaning may look nothing like what he expected. The Grammy- and Tony Award-winning score includes “Corner of the Sky,” “Magic to Do,” and “Morning Glow.”

A Chorus Line 
9/15–27/26, 5th Avenue Theatre, www.5thavenue.org  

One. Singular. Sensation. A home-grown production with some Broadway talents, A Chorus Line is packed with iconic songs, electrifying choreography, and moments of raw honesty. This iconic musical celebrates what every Broadway dancer does for love, and the sacrifice, courage, passion, and resilience it takes to follow their dreams.

Ragtime
Issaquah: 9/15/26–10/18/26
Everett: 10/24/26–11/15/26
Village Theatre, www.villagetheatre.org 

In this locally produced award-winning production, anything seemed possible in this uniquely compelling exploration of America at the turn of the 20th century, weaving together three unforgettable stories: a daring Harlem pianist, a determined Jewish immigrant, and an affluent society woman. Each navigates a changing world, united by courage, compassion, and belief in the promise of the future. 

Conscience
9/16/26–10/17/26
Taproot Theatre, www.taproottheatre.org 

Playwright Joe DiPietro presents Margaret Chase Smith alone on the Senate floor, summoning the courage to speak the truth. As McCarthyism gripped the nation, she issued her Declaration of Conscience, defying fear, rejecting silence, and holding her party publicly accountable. Though her stand came at a personal cost, her voice changed history forever. This powerful and quietly electrifying story still resonates today.

The Goldberg Variations
9/17–19/26
On the Boards, www.ontheboards.org

In this dive into power dynamics, sexual desire, and vulnerability that entangles Queer sexuality with classical music and professional wrestling, Clayton Lee explores his childhood obsession with the professional wrestler Bill Goldberg and its lasting impact on him. What are the blueprints of desire and fantasy? The audience is invited to confront that question through an intimate and unfiltered reckoning of his sexual and romantic history. 

The Chinese Lady
9/17/26–10/11/26
ArtsWest, www.artswest.org 

This funny, heartbreaking, and a devastatingly contemporary portrait of America is the true story of Afong Moy, a Chinese woman displayed as a living exhibit in 1800s America, told in the first person from her point of view. She holds nothing back as she recounts a half-century of performing her culture for curious onlookers. Her dreams and aspirations shift with the passing of time as she discovers what it means to reclaim her story. 

Agatha Christie’s A Murder Is Announced
9/18/26–10/11/26
Edmonds Driftwood Theatre, www.edmondsdriftwoodplayers.org 

A classic whodunit in which a mysterious newspaper notice predicts a murder at Miss Blacklock’s Victorian home. As unexpected deaths, hidden identities, and tangled motives emerge, the legendary Miss Marple must unravel the truth before the killer strikes again.

Hamlet
9/19/26–10/11/16
Union Arts Center, www.unionartscenter.org 

A father is dead. A mother has moved on. And a son can feel the lies closing in around him. The court celebrates, the kingdom carries on, but Hamlet is the only one willing to look beneath the surface. The deeper he digs, the more dangerous the truth becomes, and the harder it gets to tell friend from enemy, sanity from madness, justice from revenge. In Shakespeare’s most legendary tragedy, the truth will come out. The question is who will survive it.  

Eureka Day
9/24/26–11/15/26
Seattle Rep, www.seattlerep.org 

At a proudly progressive school where every decision is made by committee, a public health crisis sparks debate and tension. Eureka Day captures the unexpected humor, chaos, and humanity of collective decision-making. It offers a timely reflection on community responsibility, public discourse, and how we show up for one another.

Linda Vista
9/25/26–10/11/26
SecondStory Rep, www.secondstoryrep.org 

From Tracy Letts, the Pulitzer Prize-winning author of August: Osage County comes a sharp, fiercely cynical, and brutally funny look at midlife regression. Meet Wheeler: a misanthropic, 50-year-old former photographer deflated into a bitter camera repairman. Newly divorced and crashing headfirst into a severe existential crisis, he moves into San Diego’s Linda Vista neighborhood to start over. What follows is an unfiltered, hilarious, and unapologetic portrait of self-sabotage, toxic masculinity, and a man who is desperately — and messily — fighting his own worst instincts to finally grow up.

References to Salvador Dalí Make Me Hot
10/1–18/26 (at Center Theatre)
Sound Theatre Company, www.soundtheatrecompany.org 

José Rivera’s surreal and poetic modern classic (and 2001 Obie Award winner), set in the desert of Barstow, California, follows Gabriela, the wife of a career soldier, as she escapes into a dreamlike fantasy world during her husband’s prolonged absences — imagining the mating rituals of a coyote and a cat while navigating love, longing, and desire.

The Musical Comedy Murders of 1940
10/2–25/26, The Phoenix Theatre, www.tptedmonds.org 

In a mansion in Chappaqua, New York, in December 1940, a maid is killed by a masked figure. Guests soon begin to arrive. After things get underway, most of them are murdered, and the body of the maid is discovered. After a series of dizzy conversations, multiple trips through secret doorways to a labyrinth of hidden passageways, and a power outage, eventually the criminal is revealed.

The Legend of Sleepy Hollow
10/2–25/26, Centerstage Theatre, www.centerstagetheatre.com 

Step into the eerie woods of Sleepy Hollow, where laughter will give way to gasps of fright in this exciting adaptation of the most enduring Halloween tale in Northeast American literature. Newcomer and schoolteacher Ichabod Crane initially scoffs at the superstitions of the locals…until things start happening that he cannot explain. Could the stories about the vengeful Headless Horseman be real? Get swept up in the secrets and suspense of Washington Irving’s incredible story and see for yourself…if you dare.

Leonardo! A Wonderful Show about a Terrible Monster
10/2/2026–11/1/26, Seattle Children’s Theatre, www.sct.org 

Leonardo is a terrible monster. He tries so hard to be scary, but he just...isn’t. But then he hatches a plan to find the most scaredy-cat kid in the world. Will Leonardo finally get to scare someone? Or will it be the start of an unlikely friendship? This Halloween season, enjoy this not-very-spine-chilling, not-particularly-hair-raising, not-very-frightening-at-all-really romp with a monster. Based on the book by beloved author Mo Willems, the production uses hundreds of puppets and props to bring them to life. Discover why making friends doesn’t have to be scary. (Ages 3+)

Smoke on the Mountain
10/7–24/26, Taproot Theatre, www.taproottheatre.org

It’s the summer of 1938 in Appalachia, and the Sanders Family Singers have come to a Mount Pleasant Baptist Church, complete with banjos, mandolins, and accordions. After five years away from the gospel circuit, they’re back — and each member has a story to tell. Between bluegrass harmonies and heart-warming hymns, their tales hilariously and surprisingly spill out. This long-awaited, toe-tappin', and hand clappin’ production returns to Taproot for its 50th anniversary.

Rat Cage (world premiere)
10/8–24/26, Annex Theatre, www.annextheatre.org 

Burlesque artist Vendetta Payne deals with the everyday pressures of her job, family, and new boyfriend, not to mention the news. Suddenly, she gets thrown into a world of selling and marketing her trauma for “the Rats.” You know — like the business moguls on that TV show, Rat Cage? Yeah, that one.

Leni’s Last Lament
10/9–18/26 (at Erickson Theatre)
Intiman Theatre, www.intiman.org 

Starring Jodie Markell, this darkly comic, cabaret-style play imagines disgraced Nazi filmmaker Leni Riefenstahl attempting to rewrite her legacy from beyond the grave.

I’ll Be Your Superhero (world premiere)
10/16/26–11/1/26, Seattle Children’s Theatre, www.sct.org 

Ten-year-old Xavier has to go live with his uncle. It isn’t easy: John John has just left the Marines, and both must navigate family issues and strong emotions — within themselves and with each other. But something happens when they hear about the most famous Comic Con in the world: Xavier and John John discover a mutual love of superheroes and decide to take the trip, donning their own costumes. Can a superhero outfit help them find their own superpowers? Can they learn to trust one another and triumph over a world of obstacles and uncertainty? Can cosplay help them find their real selves? (Ages 8+)

Table 17
10/24/26–11/15/26, Union Arts Center, www.unionartscenter.org 

If your ex called, would you answer? Jada and Dallas were once engaged. Now, two years after their breakup, they’re sitting across from each other at their favorite restaurant, trying to keep it casual. Good luck with that! Between a waiter with no boundaries, wounds that never quite healed, and a spark that neither one of them can ignore, this “simple dinner” is about to go off script.

I Am My Own Wife
11/4–22/26 (at Erickson Theatre)
Intiman Theatre, www.intiman.org 

This is the extraordinary true story of Charlotte von Mahlsdorf, a German Trans woman who survived both the Nazi and Communist regimes, and the playwright who begins to doubt her story. Newcomer Dani Davis takes on more than 30 roles in a tour-de-force solo performance.

Bakersfield Mist
11/6–22/26, SecondStory Rep, www.secondstoryrep.org 

Inspired by true events, this quick-witted and thoroughly entertaining comedy-drama asks a fascinating question: Who gets to decide what art is truly worth? Maude Gutman, a foul-mouthed, unemployed bartender living in a cluttered California trailer park, buys a hideous painting at a thrift store for three dollars, only to become convinced it's an undiscovered Jackson Pollock masterpiece worth millions. When a deeply elitist, world-class art expert flies in from New York to authenticate it, a high-stakes, hilarious battle of wits explodes, pitting high-brow academia against low-brow grit.

Sad Boys in Harpy Land
11/12–14/26, On the Boards, www.ontheboards.org 

Self-proclaimed “experimental clown artist” Alex Tatarsky ushers audiences through an absurdist hellscape of the mind. Through a series of existential vignettes, Tatarsky fuses the autobiographical bones of their own story onto those of equally tormented protagonists from sources including Goethe, Dante, Amiri Baraka, Helen Adams, and Seinfeld. In this coming-apart coming-of-age story, Tatarsky presents a highly calibrated mess in a tour-de-farce performance that challenges the idea of individual malady, and instead embraces the turbulent maze of shared struggle.

Come from Away
Issaquah: 11/13/26–12/20/26
Everett: 1/2–24/27
Village Theatre, www.villagetheatre.org 

On September 11, 2001, nearly 7,000 airline passengers were unexpectedly diverted to the tiny town of Gander, Newfoundland. Overnight, strangers from across the globe found themselves stranded far from home — but the people of Gander answered uncertainty with compassion and generosity, opening their hearts, their homes, and even (and unforgettably!) their bar. As cultures collided and nerves frayed, this unlikely international sleepover transformed into a powerful celebration of connection and resilience. Brimming with humor, heart, and a soaring Celtic-inflected score, Come from Away captures five unforgettable days when a small town showed the world what generosity means. It's an uplifting celebration of compassion, resilience, and our ability to come together when it matters most — a story guaranteed to restore your faith in humanity.

Mink River
11/13–22/26 (at Center House Theatre, Armory)
Book-It Repertory Theatre, www.book-it.org

Performed in two parts, this intimate production invites audiences into a costal Oregon town, where unforgettable characters navigate everyday life, shared heritage, and the extraordinary ways a community comes together. This special sneak peek into Book-It’s creative process features a cast of 16 actors with scripts in hand. Audiences are invited to attend Parts One and Two, or experience the complete story across both performances. While each part offers its own satisfying theatrical experience, the full journey reveals the remarkable tapestry of interconnected lives that defines Doyle’s celebrated novel.

November 13, 15, 19, 21, 22: Part One (2 hours, 20 minutes w/intermission)
November 14, 15, 20, 21, 22: Part Two (2 hours w/intermission)
See the full show in one day on November 15, 21, 22

A Christmas Carol: The Musical
11/20/26–12/19/26, Edmonds Driftwood Theatre, www.edmondsdriftwoodtheatre.org

Featuring an acclaimed score by Broadway legends Alan Menken and Lynn Ahrens, this heartwarming adaptation of Charles Dickens’ timeless tale follows Ebenezer Scrooge on a life-changing journey guided by the Ghosts of Christmas Past, Present, and Future, reminding audiences of the power of compassion, generosity, and redemption.

Chicka Chicka Boom Boom: The Holiday Musical
11/20/26–1/3/27, Seattle Children’s Theatre, www.sct.org 

Chicka Chicka Boom Boom is back — and this time wrapped in tinsel! The alphabet scrambles to decorate a giant Christmas tree. They string lights, hang ornaments, and sing, dance, and tumble into holiday hijinks. With lively songs, clownish comedy, and plenty of audience participation, this merry musical invites kids and grown-ups alike to clap, sing, dance and join in the fun, and discover that every letter and sound has a place in this sparkly celebration. (Ages 3+)

Sorry, Wrong Chimney
11/27/26–12/20/26, The Phoenix Theatre, www.tptedmonds.org

David Tuttle is moonlighting as a department store Santa so that he can buy his wife a fur for Christmas. He tells her he’s working late at the office, but she finds out he isn’t there. A suspected other woman, hypnotism, the notorious Santa burglar Kris Kreigle and his gun-toting fiancée, and a confused policeman add up to a rollicking tale that is hilarious Christmas entertainment any time of year.

The Wizard of Oz
11/27/26–12/27/26, 5th Avenue Theatre, www.5thavenue.org 

As adapted by John Kane for the Royal Shakespeare Company, there’s no place like home — especially during the holidays. Ruby slippers. Flying monkeys. Emerald City dreams. Follow the Yellow Brick Road back to the Wizard of Oz, the original story that has filled generations with wonder and imagination. You’ll be awed at every twist and turn of Dorothy’s journey with unforgettable music, and jaw-dropping theatrical magic, as you’re taken over the rainbow to the Merry Old Land of Oz!

Peter Pan Goes Wrong
11/27/26–1/3/27, Seattle Rep, www.seattlerep.org 

This play was such a “disaster” that the Rep decided to bring it back! Going wrong has never felt so right. From the creators of The Play That Goes Wrong, this high-flying comedy delivers glorious theatrical chaos, with missed cues, malfunctioning scenery, and spectacular stagecraft. Nonstop laughter, ingenious physical comedy, and joyous holiday fun make this a perfect all-ages event celebrating the magic of live theater and the shared experience of laughter across generations.

Snowed In
11/28/26–12/20/26, ArtsWest, www.artswest.org 

ArtsWest has sent four incredible artists on a cozy retreat to write the most perfect holiday show the world has ever seen.  But when a blizzard hits and tensions rise, the crumpled-up notebook pages start to pile up even faster than the snow. Will they finish the show in time? Or will they have to rely on a sprinkle of holiday magic to pull the whole thing off?  

Aladdin: A Holiday Panto
11/28/26–12/20/26, Centerstage Theatre, www.centerstagetheatre.com 

This magical holiday adventure is filled with laugh-out-loud comedy, pop music favorites, and all your favorite characters. The retelling of the classic fairytale follows Aladdin as he gets caught up in an evil sorcerer’s scheme and must find a way out, for him and for the princess who’s stolen his heart — the perfect family outing, date night, or solo break from the holiday rush!

Almost, Maine
12/4–20/26, SecondStory Rep, www.secondstoryrep.org

A charming, whimsical, and deeply heartfelt romantic comedy of nine distinct, interconnected vignettes explores the magic, mystery, and absurdity of falling in and out of love. A woman carries her heart, broken into 19 pieces, in a small paper bag. A man shrinks to half his former size after losing hope in love. A couple keep the love they have given each other in large red bags, or compress the mass into the size of a diamond. On one deeply cold and magical midwinter night, the citizens of Almost — not organized enough for a town, too populated for a wilderness — experience the life-altering power of the human heart. 

Black Nativity
12/9–27/26 (at Broadway Performance Hall)
Intiman Theatre and The Hansberry Project, www.intiman.org 

Langston Hughes’ gospel song-play returns with a cast of more than 30 performers, live music, and a joyous celebration of community, hope, and resilience. The second act invites audiences to sing along with the choir in spirited gospel renditions of traditional holiday carols. Arrive early to shop at our Black Makers Holiday Market in the lobby.

Becoming Daddy AF
12/10–12/26, On The Boards, www.ontheboards.org 

Celebrated dance-theater artist David Roussève presents part autobiography and part retrospective. Becoming Daddy AF weaves generational tales to trace lineages of ancestry, artistry and cunning in his firsthand telling of the life of a Queer, African American man born in the 1950s and the histories his body holds. Through a vibrant collage of evocative archival imagery, propulsive sound, fluid gestural movement, and powerfully embodied storytelling, the production charts six hundred years of family genealogy with four decades of unforgettable dancemaking from the man the Washington Post described as “one of modern dance’s great stage personalities.”

The Naughty List: A Holiday Revue from BeautyBoiz
12/18–23/26 at the Erickson Theatre
Intiman Cabaret, www.intiman.org 

BeautyBoiz returns with an all-new show. This adults-only cabaret revue takes audiences to the mischievous side of the North Pole, featuring live singing, drag, burlesque, and irreverent holiday cheer, led by Mrs. Claus and a cast of iconic seasonal characters.


For more articles and reviews, go to www.facebook.com/SeattleTheaterWriters. Subscribe at https://MiryamsTheaterMusings.blogspot.com.

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